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Letters and Souvenirs: Elizabeth Atterbury in conversation with Gordon Hall

A detail of an embossed print of various shapes on white paper. The shapes, which are not inked, include a silhouette of someone smoking a pipe, a palm frond, a tube sock, wavy Xs, zig-zag shapes, geometric curves, and more.
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On the occasion of Elizabeth Atterbury’s solo exhibition at DOCUMENT, Atterbury speaks with Gordon Hall about the connections between object-making and death, arrangements and memorials.

Gordon Hall January 7, 2021 Interviews, Vol. 6, No. 1: Winter 2021

Resonant Frequencies in Tad Beck’s “Technique/Support”

Tad Beck: Technique/Support, installation view at Grant Wahlquist Gallery
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Katie Vida suggests a multidisciplinary way of understanding photographer Tad Beck’s three series of work in Technique/Support at Grant Wahlquist Gallery.

Katie Vida September 1, 2019 Reviews, Vol. 4, No. 4: Summer 2019

Hail the Dark Lioness: Zanele Muholi at Colby College Museum of Art

Zanele Muholi, Julile I, Parktown, Johannesburg, 2016 © Zanele Muholi. Courtesy of Stevenson, Cape Town / Johannesburg and Yancey Richardson, New York
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In Somnyama Ngonyama, Zanele Muholi uses the performativity of photography to rewrite a Black queer and trans visual history of South Africa.

Dylan Hausthor June 8, 2019 Reviews, Vol. 4, No. 3: Spring 2019

Making an Appearance: Jocelyn Lee at the Center for Maine Contemporary Art

Jocelyn Lee, Dark Matter 2: Pomegranate and Hosta, 2016.
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Jocelyn Lee’s solo show at CMCA explores the nature of life and death and vanity. In an interview with Lee, Dylan Hausthor wonders if and how feminism, symbolism, and performance inform her work.

Dylan Hausthor July 24, 2018 Interviews, Vol. 3, No. 3: Summer 2018

“These Works Will Haunt You”: a conversation on the 2018 Portland Museum of Art Biennial

Angela Dufresne (United States, born 1969), Dean Moss, 2017, oil on canvas, 59 1/2 x 78 inches. Courtesy of the artist. © Angela Dufresne. Photo by Luc Demers.
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Mimicking the collaborative nature of the Biennial’s curation, five cultural producers in Maine gather in conversation to model the critical potential in slow looking, multiple reads, and shared dialogue.

Myron Beasley, Meghan Brady, Edwige Charlot, Justin Levesque, Veronica A. Perez May 14, 2018 Interviews, Reviews, Vol. 3, No. 2: Spring 2018

In Conversation: Jenna Crowder & Julien Langevin on Nan Goldin at the PMA

Nan Goldin, Suzanne and Mark dancing, Lexington, MA, 1979, Silver-dye bleach print, 21 x 25 inches. Private collection, Houston, TX.
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Graeme Kennedy, in a series of community discussions, speaks with The Chart Editor Jenna Crowder and Julien Langevin about the complexities of Nan Goldin at the Portland Museum of Art.

Graeme Kennedy December 21, 2017 Interviews, Vol. 3, No. 1: Fall 2017/Winter 2018

Mourning as a Public Act

Rosemary Laing, a dozen useless actions for grieving blondes #12 & #5, C-type photograph, 30 ½ in. x 59 9/16 in., edition 2 of 8, 2009.
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The intangibility of memory, the diversity of grief, and the anguish of remembrance are laid bare for the public in “Anguish: The Misgivings of Remembrance” at the ICA at MECA. by Veronica A. Perez

Veronica Perez January 12, 2017 Reviews, Vol. 2, No. 2: Winter 2017

Institutional Invisibility: Jessica Hankey’s Women’s Club

Jessica Hankey, Women’s Club (act II), 12 min, HD video still, 2015.
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Jessica Hankey’s photographic and video work on non-profits, community centers, clubs, and museums, investigates institutions and the relationships that constitute them. Using documentary and narrative filmmaking strategies, she investigates the unstable relationship between location, image, and perception. by Erin Colleen Johnson

Erin Johnson April 1, 2016 Interviews, Vol. 1, No. 7: April/May 2016

Listen! Do You See That? Episode 2: Because of Ruski’s

New York Construction Workers Lunching on a Crossbeam
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In this episode, npilar interview Ruski’s Tavern owner Monica about the art on the walls of our favorite neighborhood bar. They discuss holograms, autographs, a toe calendar, and Bob Saget.

npilar March 3, 2016 Interviews, Podcasts, Vol. 1, No. 6: March 2016

BETTER LUCK NEXT TIME: Julie K. Gray’s supernatural failures

Still from Levitation, photo courtesy of Julie K. Gray
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In her solo show BETTER LUCK NEXT TIME, Julie K. Gray maps her failures in attempting to “to explore the unknown through paranormal and spiritual means.” by Benjamin Spalding

Benjamin Spalding November 5, 2015 Reviews, Vol. 1, No. 3: November 2015
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