The variances in Nicole Eisenman’s techniques, both nuanced and bold, portray her strong ability, knowledge, and integrity to the discipline of painting. Meg Hahn explains the intimacy between the viewer’s interaction with the work, and Eisenman’s authorship in what she divulges.
Jessica Hankey’s photographic and video work on non-profits, community centers, clubs, and museums, investigates institutions and the relationships that constitute them. Using documentary and narrative filmmaking strategies, she investigates the unstable relationship between location, image, and perception. by Erin Colleen Johnson
Jaime Gaiti reviews the exhibition Drawing Redefined, which reveals ongoing, intimate drawing processes that have been developed alongside more sculptural bodies of work.
Mark Price is an artist living and working in Portland, Maine. Here’s what he’s been working on lately, and four quick questions about what he’s also looking at.
In this episode, Anne interviews Pilar about the Maine-Aomori Printmaking Society, and we learn about the concepts of wabi-sabi, sashiko, and boro.
David Martinez takes a look at Walid Raad at the ICA/Boston and examines whether audio tours enhance or detract from a viewer’s experience.
Able Baker Contemporary, a new artist-run space co-founded by Stephen Benenson and Hilary Irons, is set to officially open its doors on April 8 in downtown Portland.
Jenna Crowder recaps some of her recent favorite pieces from other journals, including Pelican Bomb, BURNAWAY, Cairobserver, arts.black, and Temporary Art Review.
Douglas W. Milliken and Jenna Crowder preview the agony and the ecstasy of Matthew Barney and Jonathan Bepler’s epic cinematic opera, River of Fundament.
Alana Dao talks with artist Irina Skornyakova and writer meg willing about their collaborative correspondence project, Erased By Us.