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Ritual Insider/Ritual Outsider: Gina Adams on art & the archive

Installation view of Gina Adams' exhibition, "Its Honor is Hereby Pledged: Broken Treaty Quilts” which ran from June 26—July 22, 2018, in the Jaffe-Friede Gallery at Dartmouth College.
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“I am a fourth-generation quilt maker”: artist Gina Adams talks with critical ethnographer Myron M. Beasley on archaeology, archive, and the arts.

Myron Beasley December 12, 2018 Interviews, Vol. 4, No. 1: Fall 2018

Scholarship, Power, & the Agency of Place: Beth Finch on Marsden Hartley’s Maine

Hall of the Mountain King, ca. 1908-9, Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm). Crystal Bridges Museum of American Art, Bentonville, Arkansas 2010.94
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Beth Finch, Lunder Curator of American Art at the Colby College Museum of Art, speaks about what Marsden Hartley’s Maine can tell us about how we understand historical legacy and scholarship can shape the contemporary art world.

Jenna Crowder August 25, 2017 Interviews, Vol. 2, No. 4: Summer 2017

Mourning as a Public Act

Rosemary Laing, a dozen useless actions for grieving blondes #12 & #5, C-type photograph, 30 ½ in. x 59 9/16 in., edition 2 of 8, 2009.
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The intangibility of memory, the diversity of grief, and the anguish of remembrance are laid bare for the public in “Anguish: The Misgivings of Remembrance” at the ICA at MECA. by Veronica A. Perez

Veronica Perez January 12, 2017 Reviews, Vol. 2, No. 2: Winter 2017

Maisie Broome: Ingenious Caretaker

The artist, Maisie Maeve Broome, is wrapped up in her work.
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Annika Earley talks to MYFAWNWY’s Maisie Broome about camouflage, ritual, and creating a body of work completely off the grid.

Annika Earley August 24, 2015 Interviews, Vol. 1, No. 1: September 2015
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