Cecilia Cornejo Sotelo speaks with Carolina González Valencia about her new publication, How to Clean a House: A Family Album, a 20-page book of postcards that combines instructions on how to clean someone’s house as a domestic worker with milestones from the migration experience of the artist’s family.
Kindling Fund
Hilary Irons speaks with Anna Hepler and Jon Calame on their forthcoming artist book, “Trespasses,” in an interview that plays with the “danger and slippage” of both written and visual languages.
The first in a series of interviews in collaboration with Orbis Editions, Rose Linke speaks with Double Vision artists Andrea Steves, Francois Hughes, and Yulia Pinkusevich on their work and research that connects the military histories of the Marin Headlands and Fort Gorges.
In advance of Myron Beasley’s performative dinner on Malaga Island, Jessica Lynne reflects on trauma and the heartwork it takes to heal.
Gordon Hall, a New York-based artist, on ideas that surfaced around the creation of The Number of Inches Between Them, a sculpture and performance in multiple locations in mid-coast Maine.
PLATFORM PROJECTS/WALKS positions Julie Poitras Santos as artist-as-curator, who has included fifteen artists and practitioners who’ll be leading walks, giving lectures, discussing readings, and presenting video works through August 14.
Lia Wilson reviews the site-specificity and flattening of time of S P E C T A C U L A R B L A C K D E A T H as part of the series A Long Wait.
Ken Ueno’s Fortress Brass employs the musical and architectural languages of wartime to imagine a friendlier, more beautiful alternative.
“You can’t push it away. You can’t go under. You have to be in it.” Anna Wolfe-Pauly and Erin Colleen Johnson talk about Wolfe-Pauly’s project for the series A Long Wait happening on Fort Gorges this summer.
SPACE Gallery announces the 2016 Kindling Fund Grantees