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The Empaths

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Hilary Irons finds a major theme of empathy and connection in the work of seven graduates from Maine College of Art’s MFA program, highlighting how artists are responding to the precarity and isolation of the world and setting out to change it.

Hilary Irons May 15, 2020 Reviews, Vol. 5, No. 2: Spring 2020

To Name a Stone You Hold in Your Hand: the films of Ciccarello & Cartelli

Philip Cartelli and Mariangela Ciccarello, Lampedusa (still), produced by Sensory Ethnography Lab/Nusquam Productions, HD video and Super 8mm film, 14 minutes, 2015.
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Megan Grumbling previews two short films by Mariangela Ciccarello and Philip Cartelli that trace geologic and migratory histories in the Mediterranean.

Megan Grumbling September 21, 2019 Reviews, Vol. 4, No. 4: Summer 2019

Resonant Frequencies in Tad Beck’s “Technique/Support”

Tad Beck: Technique/Support, installation view at Grant Wahlquist Gallery
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Katie Vida suggests a multidisciplinary way of understanding photographer Tad Beck’s three series of work in Technique/Support at Grant Wahlquist Gallery.

Katie Vida September 1, 2019 Reviews, Vol. 4, No. 4: Summer 2019

Postcards from Home: on Art Practice, Immigration, & Domestic Work

Carolina González Valencia, from How to Clean a House: a Family Album (2018, Orbis Editions)
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Cecilia Cornejo Sotelo speaks with Carolina González Valencia about her new publication, How to Clean a House: A Family Album, a 20-page book of postcards that combines instructions on how to clean someone’s house as a domestic worker with milestones from the migration experience of the artist’s family.

Cecilia Cornejo Sotelo November 26, 2018 Interviews, Vol. 4, No. 1: Fall 2018

Presence + Polarization: Natalie Bookchin’s Portraits of America

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Eden Osucha speaks with filmmaker Natalie Bookchin about the phenomenon of video self-portraiture in the internet age, and what it means for resistance and identity.

Eden Osucha May 4, 2017 Interviews, Vol. 2, No. 3: Spring 2017

Matthew Barney’s Gold Standard: Sex, Violence, & Fundament

Matthew Barney and Jonathan Bepler, RIVER OF FUNDAMENT: REN, 2014, Production Still Photo: Chris Winge © Matthew Barney, Courtesy Gladstone Gallery, New York and Brussels.
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Douglas W. Milliken and Jenna Crowder preview the agony and the ecstasy of Matthew Barney and Jonathan Bepler’s epic cinematic opera, River of Fundament.

Douglas Milliken March 3, 2016 Reviews, Vol. 1, No. 6: March 2016

Finding Community in Kezar

The Kezar Falls Woolen Mill. Photo by Ben Wilkins.
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The creative community doesn’t just exist in bigger cities — and in a small village, the work might even have a bigger impact. by Marques Bostic

Marques Bostic August 24, 2015 Initiatives, Vol. 1, No. 1: September 2015
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