In Somnyama Ngonyama, Zanele Muholi uses the performativity of photography to rewrite a Black queer and trans visual history of South Africa.
Colby College Museum of Art
Yoshua Okón’s multi-channel video blurs the lines between documentary, reality, and fiction, asking participants and viewers to engage in sociological experiments that reveal discomforting questions.
Beth Finch, Lunder Curator of American Art at the Colby College Museum of Art, speaks about what Marsden Hartley’s Maine can tell us about how we understand historical legacy and scholarship can shape the contemporary art world.
Center for Maine Contemporary Art’s Executive Director and Chief Curator Suzette McAvoy reflects on CMCA’s new presence in Rockland, opening the space to new and wider audiences, and how she envisions CMCA’s role in defining the contexts of Maine art.