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video installation

Being Present in the Space of Video

Ernst Caramelle, Video Ping-Pong, 1974 Two-channel, video installation, two monitors, two media players, metal shelves, Ping Pong table, paddles, and balls, sound, 30:00 min. - Dimensions variable Courtesy the artist and Generali Foundation, Vienna - Photo: Peter Harris Studio Exhibition installation view of Before Projection: Video Sculpture 1974–1995 at MIT List Visual Arts Center, Cambridge, MA (February 8–April 15, 2018)
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Before Projection: Video Sculpture 1974–1995 at MIT’s List Center defines video sculpture, asking viewers to grapple with the spatial and social realities of video.

Joshua Reiman April 17, 2018 Reviews, Vol. 3, No. 2: Spring 2018

Presence + Polarization: Natalie Bookchin’s Portraits of America

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Eden Osucha speaks with filmmaker Natalie Bookchin about the phenomenon of video self-portraiture in the internet age, and what it means for resistance and identity.

Eden Osucha May 4, 2017 Interviews, Vol. 2, No. 3: Spring 2017

BETTER LUCK NEXT TIME: Julie K. Gray’s supernatural failures

Still from Levitation, photo courtesy of Julie K. Gray
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In her solo show BETTER LUCK NEXT TIME, Julie K. Gray maps her failures in attempting to “to explore the unknown through paranormal and spiritual means.” by Benjamin Spalding

Benjamin Spalding November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

Shedding Light on Darkness

Michel Auder, still from "Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)", (2014), three-channel video installation. Image courtesy Bowdoin College Museum of Art.
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A pair of shows at the Bowdoin College Museum of Art trace our understanding of night from the mid-19th century to the present day. by Skye Priestley

Skye Priestley August 20, 2015 Reviews, Vol. 1, No. 1: September 2015
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