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translation

Building Blocks: Toward a Translation of Artists’ Books at the Center for Book Arts

Zeina Barakeh, Homeland Insecurity (still), animation, 9:47 min., 2016. Courtesy the artist.
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Writer and curator Ikram Lakhdhar looks at a selection of artworks in “Poetry is Not a Luxury,” an exhibition at the Center for Book Arts, to find her own histories emerge from the works on view.

Ikram Lakhdhar September 20, 2019 Reviews, Vol. 4, No. 4: Summer 2019

The Ambling Aesthetics of PLATFORM PROJECTS/WALKS

Angela Ellsworth: Museum of Walking, Tempe, Arizona.
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PLATFORM PROJECTS/WALKS positions Julie Poitras Santos as artist-as-curator, who has included fifteen artists and practitioners who’ll be leading walks, giving lectures, discussing readings, and presenting video works through August 14.

Jenna Crowder August 4, 2016 Initiatives, Studio Visits, Vol. 1, No. 9: August 2016

The dream-like spirituality of Elizabeth Fox’s paintings

Elizabeth Fox, "Out the Woods", oil on panel, 11-1/2” x 24-1/8”. Image courtesy of Dowling Walsh.
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Narciso Philostratus’ review of Elizabeth Fox’s latest paintings reveals unabashed religiosity, technical sophistication, and a fresh sense of humor. by Jeffrey Ackerman

Jeffrey Ackerman November 5, 2015 Essays, Reviews, Vol. 1, No. 3: November 2015

LINES of FLIGHT: Jimmy Riordan’s translations

"In 2014, in the sorting and melting of lead type, each ingot became the physical representative, in scale and in weight, of the number of times a letter was used in the text; another form of translation, this one conveying a sort of inverse Oulippan challenge to the 'reader' of this new variant." — Julie Poitras Santos on Jimmy Riordan's work
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Julie Poitras Santos’ essay takes the act/ion of translation as its territory and looks at Jimmy Riordan’s translation of Francis Jammes “Le Roman de Lièvre” into English, as well as into various representations and reflections of the work in visual form.

Julie Poitras Santos September 29, 2015 Essays, Vol. 1, No. 2: October 2015

Meta-Review: Kenny Cole at BUOY

Installation view of Kenny Cole's Flood: From Noah to Babel and Beyond at BUOY in Kittery, ME.
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A found review by Narciso Philostratus looks at Kenny Cole’s show at BUOY, outlining a history of mimetic complexity in works we often don’t (or can’t) read in their totalities. by Jeffrey Ackerman

Jeffrey Ackerman September 29, 2015 Reviews, Vol. 1, No. 2: October 2015
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