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SPACE Gallery

Unearthing Optimism: the visual and sociopolitical weight of Dave Eassa’s Roses

installation view of Dave Eassa's Stop and Smell the Roses Sometimes, 2018. Photo by Joel Tsui.
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A rose is a rose is a precious symbol of optimism in these often dark times. by Julien Langevin.

Julien Langevin March 1, 2018 Reviews, Vol. 3, No. 1: Fall 2017/Winter 2018

Keijaun Thomas: a Black Femme Goddess Punk, Nude and In Charge

The Poetics of Trespassing: Part 1. Absent Whiteness, Part 2. Looking While Seeing Through,Part 3. Sweet like Honey, Black like Syrup, Spill Festival of Performance , Photo by Guido Mencari, 2014
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Performance artist Keijaun Thomas discusses notions of blackness, femininity, and materiality in her in-progress piece My Last American Dollar. by Julien Langevin

Julien Langevin August 2, 2017 Reviews, Vol. 2, No. 4: Summer 2017

Sociopolitical Printmaking: In Conversation with Tim Fite

Tim Fite.
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Tim Fite is a musician and printmaker in residence this summer at SPACE Studios and Pickwick Independent Press. Meg Hahn talks with him about the the idea of foundational printmaking as process, performative drawing, and his relationship to rap and visual art.

Meg Hahn August 26, 2016 Interviews, Vol. 1, No. 9: August 2016

On Ecstatic Milk Enjoyment, Discomfort, and Not Pumping Gas in the Presence of Douglas W. Milliken’s Corpse.

The cover to Cream River, by Douglas W. Milliken. Designed and published by Publication Studio/Downeaster Editions.
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Emily Jane Young discusses discomfort, feminism, and masculinity at Douglas W. Milliken’s multi-disciplinary launch event of Cream River, a book of short stories, and its musical twin, the record Whiskey Dick, by Blind Pelican.

Emily Young December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

What is our Common Field? notes from Hand in Glove 2015

Lunch on Day 2 of Hand in Glove: an artist meal introduced by Mona Smith, of Healing Place Collaborative, and artist Seitu Jones. Photo by the author.
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One attendee’s perspective from the Hand in Glove 2015 conference in Minneapolis: what is our common field and how do we define our practices inclusively? by Jenna Crowder

Jenna Crowder September 29, 2015 Essays, Reviews, Vol. 1, No. 2: October 2015
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