Skip to content

The Chart

slow publishing from the edge of the continent
Main navigation
  • Home
  • About
  • Contributors
  • Issues
  • Events
  • Anthology

series

Walking Portland: A Reflection on “ecologies of the local”

A view of a bend in the Presumpscot River just after dawn. Sunlight is just beginning to light up the trees that frame the rocky riverbanks, and there is a layer of white mist that sits on top of the dark water, which reflects the stones along the bank, the trees, and some sky above.
T T Read More

Julie Poitras Santos’ PLATFORM PROJECTS/WALKS: ecologies of the local offered artist-led walks for the public to get closer to the ecologies of which they are a part. Elyse Grams reflects on six of the walks she attended and what she learned about the land, its history, and herself.

Elyse Grams November 20, 2020 Essays, Vol. 5, No. 4: Fall 2020

Keijaun Thomas: a Black Femme Goddess Punk, Nude and In Charge

The Poetics of Trespassing: Part 1. Absent Whiteness, Part 2. Looking While Seeing Through,Part 3. Sweet like Honey, Black like Syrup, Spill Festival of Performance , Photo by Guido Mencari, 2014
T T Read More

Performance artist Keijaun Thomas discusses notions of blackness, femininity, and materiality in her in-progress piece My Last American Dollar. by Julien Langevin

Julien Langevin August 2, 2017 Reviews, Vol. 2, No. 4: Summer 2017

All Art is Outsider Art, Part 2: a quick guide to the making of an art epicenter

A step-by-step guide to constructing the new art epicenter. Above, a model of the Guggenheim New York by Little Building Co.
T T Read More

Mariah Bergeron continues her serial on the New York art epicenter with a guide to using political, economic — and yes — artistic tools for taking over the (art) world.

Mariah Bergeron September 29, 2015 Essays, Theory, Vol. 1, No. 2: October 2015

All Art is Outsider Art: deconstruction of the art epicenter

NY in ME: a map of New York having sex with Portland. Image by the author.
T T Read More

An intro to a serial involving Maine art and: New York art world centrism, geopolitical economy, regional identity, gentrification, and the (d)evolution of the scene. by Mariah Bergeron

Mariah Bergeron August 24, 2015 Essays, Vol. 1, No. 1: September 2015
© The Chart 2015–2021
Footer navigation
  • Home
  • About
  • Contributors
  • Issues
  • Events
  • Anthology
Secondary navigation
  • Facebook
  • Instagram
  • Search

Begin typing your search above and press return to search. Press Esc to cancel.