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A Detective in the Anthropocene: in the studio with Asata Radcliffe

At night, we see the blue glow of a house-shaped sculpture, illuminated from within. The sculpture sits on a pedestal in front of a wooden fence, with small blue glowing orbs scattered on the ground around it.
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Interdisciplinary artist Asata Radcliffe looks to futurisms, science fiction, land ethics, and dharma in her work and writing. Hilary Irons visits Asata in her studio to delve into her detective-like approach.

Hilary Irons December 11, 2020 Studio Visits, Vol. 5, No. 4: Fall 2020

Looking at Ourselves Through the Eyes of Others: Second Sight + privilege at Bowdoin College Museum of Art

Shaun Leonardo, Champ (Sonny Liston 2), 2015, charcoal. Bowdoin College Museum of Art. © Shaun Leonardo.
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Vivian Ewing reviews Second Sight: The Paradox of Vision in Contemporary Art, an exhibition that addresses what it’s like to possess qualities that so much of the world is not built to serve: blindness and blackness.

Vivian Ewing May 2, 2018 Reviews, Vol. 3, No. 2: Spring 2018

Being Present in the Space of Video

Ernst Caramelle, Video Ping-Pong, 1974 Two-channel, video installation, two monitors, two media players, metal shelves, Ping Pong table, paddles, and balls, sound, 30:00 min. - Dimensions variable Courtesy the artist and Generali Foundation, Vienna - Photo: Peter Harris Studio Exhibition installation view of Before Projection: Video Sculpture 1974–1995 at MIT List Visual Arts Center, Cambridge, MA (February 8–April 15, 2018)
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Before Projection: Video Sculpture 1974–1995 at MIT’s List Center defines video sculpture, asking viewers to grapple with the spatial and social realities of video.

Joshua Reiman April 17, 2018 Reviews, Vol. 3, No. 2: Spring 2018

In Conversation: Jenna Crowder & Julien Langevin on Nan Goldin at the PMA

Nan Goldin, Suzanne and Mark dancing, Lexington, MA, 1979, Silver-dye bleach print, 21 x 25 inches. Private collection, Houston, TX.
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Graeme Kennedy, in a series of community discussions, speaks with The Chart Editor Jenna Crowder and Julien Langevin about the complexities of Nan Goldin at the Portland Museum of Art.

Graeme Kennedy December 21, 2017 Interviews, Vol. 3, No. 1: Fall 2017/Winter 2018
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