Interdisciplinary artist Asata Radcliffe looks to futurisms, science fiction, land ethics, and dharma in her work and writing. Hilary Irons visits Asata in her studio to delve into her detective-like approach.
race
Vivian Ewing reviews Second Sight: The Paradox of Vision in Contemporary Art, an exhibition that addresses what it’s like to possess qualities that so much of the world is not built to serve: blindness and blackness.
Before Projection: Video Sculpture 1974–1995 at MIT’s List Center defines video sculpture, asking viewers to grapple with the spatial and social realities of video.
Graeme Kennedy, in a series of community discussions, speaks with The Chart Editor Jenna Crowder and Julien Langevin about the complexities of Nan Goldin at the Portland Museum of Art.