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Portland Museum of Art

“These Works Will Haunt You”: a conversation on the 2018 Portland Museum of Art Biennial

Angela Dufresne (United States, born 1969), Dean Moss, 2017, oil on canvas, 59 1/2 x 78 inches. Courtesy of the artist. © Angela Dufresne. Photo by Luc Demers.
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Mimicking the collaborative nature of the Biennial’s curation, five cultural producers in Maine gather in conversation to model the critical potential in slow looking, multiple reads, and shared dialogue.

Myron Beasley, Meghan Brady, Edwige Charlot, Justin Levesque, Veronica A. Perez May 14, 2018 Interviews, Reviews, Vol. 3, No. 2: Spring 2018

In Conversation: Jenna Crowder & Julien Langevin on Nan Goldin at the PMA

Nan Goldin, Suzanne and Mark dancing, Lexington, MA, 1979, Silver-dye bleach print, 21 x 25 inches. Private collection, Houston, TX.
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Graeme Kennedy, in a series of community discussions, speaks with The Chart Editor Jenna Crowder and Julien Langevin about the complexities of Nan Goldin at the Portland Museum of Art.

Graeme Kennedy December 21, 2017 Interviews, Vol. 3, No. 1: Fall 2017/Winter 2018

Nat May Named Curator for the 2018 Portland Museum of Art Biennial

Nat May, the former Executive Director of SPACE Gallery, will curate the Portland Museum of Art's 2018 Biennial.
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On announcing Nat May as the curator for the 2018 PMA Biennial, PMA Deputy Director and Chief Curator Jessica May says, “His research is meticulous, his eye is keen, and his curiosity is unbounded.”

The Chart March 27, 2017 Press Releases, Vol. 2, No. 2: Winter 2017

Matthew Barney’s Gold Standard: Sex, Violence, & Fundament

Matthew Barney and Jonathan Bepler, RIVER OF FUNDAMENT: REN, 2014, Production Still Photo: Chris Winge © Matthew Barney, Courtesy Gladstone Gallery, New York and Brussels.
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Douglas W. Milliken and Jenna Crowder preview the agony and the ecstasy of Matthew Barney and Jonathan Bepler’s epic cinematic opera, River of Fundament.

Douglas Milliken March 3, 2016 Reviews, Vol. 1, No. 6: March 2016

Rejecting the Classical: Duncan Hewitt at the Portland Museum of Art

Duncan Hewitt, Tacks, carved and painted wood in five parts, approximately 14 x 60 x 48 in, 2008–09
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Skye Priestley investigates ambiguity in form and process throughout Duncan Hewitt’s retrospective at the Portland Museum of Art.

Skye Priestley January 28, 2016 Reviews, Vol. 1, No. 5: February 2016

Craft Fair, Flea Market, Biennial: What the 2015 PMA Biennial gets right (and wrong)

Stacy Howe, Profane Maine, ink, charcoal, acrylic, and graphite on paper, 48" x 60", 2015. Image courtesy of the artist and the Portland Museum of Art.
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The 2015 Portland Museum of Art Biennial proves to be a tangle of work from talented artists. Helen Greenbriar examines Alison Ferris’ curatorial choices in this already-controversial show.

Helen Greenbriar November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

Maine’s Plain Jane Problem: Critiquing the Portland Museum of Art 2015 Biennial

Sarah Sockbeson, Basket, brown ash, sweetgrass, and antler, 4" x 3.5", 2011. Hudson Museum, University of Maine, HM8622. © Sarah Sockbeson
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Ashleigh Burskey and Catnip James examine the state of Maine’s art through the lens of the Portland Museum of Art’s 2015 Biennial.

Ashleigh Burskey November 5, 2015 Reviews, Vol. 1, No. 3: November 2015
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