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Nicole Eisenman: Intimacy With An Audience

Nicole Eisenman, It Is So, oil on canvas, 65 × 82 in, 2014. Courtesy of the artist, Anton Kern Gallery, New York; Galerie Barbara Weiss, Berlin; and Susanne Vielmetter, Los Angeles. Photo by John Berens.
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The variances in Nicole Eisenman’s techniques, both nuanced and bold, portray her strong ability, knowledge, and integrity to the discipline of painting. Meg Hahn explains the intimacy between the viewer’s interaction with the work, and Eisenman’s authorship in what she divulges.

Meg Hahn June 28, 2016 Reviews, Vol. 1, No. 8: June/July 2016

Studio Visit: Timothy Wilson’s Pentimento

Timothy Wilson in his studio. Portrait by Mette Lützhøft.
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Jenn Corey visits Timothy Wilson in his studio, discussing life and work between Maine and New York, pay-to-play gallery models, and painting the overwhelming beauty of weather and nature.

Jenn Corey September 29, 2015 Studio Visits, Vol. 1, No. 2: October 2015

All Art is Outsider Art, Part 2: a quick guide to the making of an art epicenter

A step-by-step guide to constructing the new art epicenter. Above, a model of the Guggenheim New York by Little Building Co.
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Mariah Bergeron continues her serial on the New York art epicenter with a guide to using political, economic — and yes — artistic tools for taking over the (art) world.

Mariah Bergeron September 29, 2015 Essays, Theory, Vol. 1, No. 2: October 2015

All Art is Outsider Art: deconstruction of the art epicenter

NY in ME: a map of New York having sex with Portland. Image by the author.
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An intro to a serial involving Maine art and: New York art world centrism, geopolitical economy, regional identity, gentrification, and the (d)evolution of the scene. by Mariah Bergeron

Mariah Bergeron August 24, 2015 Essays, Vol. 1, No. 1: September 2015
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