Jacquelyn Gleisner, The Chart’s 2019 Critic in Residence, considers a history of performance art and its request for “noble attention” throughout her pregnancy.
motherhood
A look back at our first handful of issues with our top three posts of 2015.
As the subject of children and parenting becomes more prevalent in global contemporary discourse and in academia, is Maine’s creative economy prepared to encourage and support women artists with families? by Alana Dao