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feminism

Presence, Performance, and Pregnancy

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Jacquelyn Gleisner, The Chart’s 2019 Critic in Residence, considers a history of performance art and its request for “noble attention” throughout her pregnancy.

Jacquelyn Gleisner October 21, 2020 Essays, Vol. 5, No. 4: Fall 2020

The Affidamento of Bianca Beck and Sascha Braunig

Installation shot of Extra Spectral, with a collaborative sculpture in the foreground: Bianca Beck & Sascha Braunig, Untitled, 58 x 54 x 29 in wood, wire, papier-mâché, acrylic, oil, and epoxy, 2019
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Bianca Beck and Sascha Braunig’s two-person show at SPACE explores the political and feminist power of difference.

Jenna Crowder January 7, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

Ann Hirsch, IRL

Still from Frank the Entertainer... in a Basement Affair on VH1.
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Ann Hirsch will probably defy most expectations of a feminist artist thinking about gender, social media, and the implications of shame and display.

Jenna Crowder August 11, 2016 Interviews, Vol. 1, No. 9: August 2016

Elise Ansel’s Painterly Revelations

Elise Ansel, Revelations IX, oil on linen, 16 x 12 in, 2015. Image courtesy Bowdoin College Museum of Art.
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Jacob Fall and Virginia Rose investigate revelations in Elise Ansel’s Distant Mirrors at Bowdoin College Museum of Art.

Jacob Fall March 3, 2016 Reviews, Vol. 1, No. 6: March 2016

On Ecstatic Milk Enjoyment, Discomfort, and Not Pumping Gas in the Presence of Douglas W. Milliken’s Corpse.

The cover to Cream River, by Douglas W. Milliken. Designed and published by Publication Studio/Downeaster Editions.
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Emily Jane Young discusses discomfort, feminism, and masculinity at Douglas W. Milliken’s multi-disciplinary launch event of Cream River, a book of short stories, and its musical twin, the record Whiskey Dick, by Blind Pelican.

Emily Young December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

Cheshire Girls: Veronica Cross’ Complicated Feminism

Veronica Cross, Headbangers, scraped oil on wood, 30 x 40 in, 2015.
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Kathy Weinberg navigates Veronica Cross’ exploration of the female figure in the complex contexts of punk aesthetics, pop culture, and the baggage of hijacking the vintage.

Kathy Weinberg December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

Creative Parenting: Supporting Artistic Motherhood

Lenka Clayton, "63 Objects Taken from my Son's Mouth", (2011–2012), materials as described by Clayton: "acorn, bolt, bubblegum, buttons, carbon paper, chalk, Christmas decoration, cigarette butt, coins (GBP, USD, EURO), cotton reel, holly leaf, little wooden man, sharp metal pieces, metro ticket, nuts, plastic “O”, polystyrene, rat poison (missing), seeds, slide, small rocks, specimen vial, sponge animal, sticks, teabag, wire caps, wooden block". Image courtesy lenkaclayton.com.
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As the subject of children and parenting becomes more prevalent in global contemporary discourse and in academia, is Maine’s creative economy prepared to encourage and support women artists with families? by Alana Dao

Alana Dao August 21, 2015 Essays, Vol. 1, No. 1: September 2015
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