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Engine

Putting It In Ink: Sarah Baldwin’s Self-Alteration

Sarah Baldwin, Seedbombvesselportrait, ink on vellum, 4" x 4" each, 2014.
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Clare Tyrell-Morin speaks with Sarah Baldwin about her work in ink in advance of her new collaborative installation, Influx, in Biddeford.

Clare Tyrrell-Morin September 14, 2017 Interviews, Vol. 2, No. 4: Summer 2017

Charting Biddeford’s Creative Rise

Still from Thine Eyes (2013) by Subcircle. Scott McPheeters, Christina Zani, Christy Lee. Taken in performance at Pepperell Mills, North Dam Campus, Biddeford. Photo by Jorge Cousineau.
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Clare Tyrrell-Morin explores the city of Biddeford and what’s behind its recent creative surge.

Clare Tyrrell-Morin January 28, 2016 Art Guides, Vol. 1, No. 5: February 2016

BETTER LUCK NEXT TIME: Julie K. Gray’s supernatural failures

Still from Levitation, photo courtesy of Julie K. Gray
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In her solo show BETTER LUCK NEXT TIME, Julie K. Gray maps her failures in attempting to “to explore the unknown through paranormal and spiritual means.” by Benjamin Spalding

Benjamin Spalding November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

Personal Graphemics

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Engine blends disciplines in Ode to Letters. by Ian Carlsen

Ian Carlsen August 20, 2015 Reviews, Vol. 1, No. 1: September 2015
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