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Daniela Rivera’s Labored Landscapes

In the large gallery of Daniela Rivera's exhibition "Labored Landscapes (where hand meets ground)" we see three dark walls and a wood floor. Each wall has a single painting of a giant pair of hands; each pair of hands is gesticulating as in mid-conversation. The body to which the hand belong fades into the black canvas and the dark wall color.
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Julie Poitras Santos reflects on monument, labor, and silence in Daniela Rivera’s recent exhibition at the Fitchburg Art Museum.

Julie Poitras Santos February 25, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

The Affidamento of Bianca Beck and Sascha Braunig

Installation shot of Extra Spectral, with a collaborative sculpture in the foreground: Bianca Beck & Sascha Braunig, Untitled, 58 x 54 x 29 in wood, wire, papier-mâché, acrylic, oil, and epoxy, 2019
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Bianca Beck and Sascha Braunig’s two-person show at SPACE explores the political and feminist power of difference.

Jenna Crowder January 7, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

Looking at Ourselves Through the Eyes of Others: Second Sight + privilege at Bowdoin College Museum of Art

Shaun Leonardo, Champ (Sonny Liston 2), 2015, charcoal. Bowdoin College Museum of Art. © Shaun Leonardo.
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Vivian Ewing reviews Second Sight: The Paradox of Vision in Contemporary Art, an exhibition that addresses what it’s like to possess qualities that so much of the world is not built to serve: blindness and blackness.

Vivian Ewing May 2, 2018 Reviews, Vol. 3, No. 2: Spring 2018

Drawing Parallels: deCordova’s “Drawing Redefined”

Richard Tuttle, Flower, painted plywood, pink (4 parts), 23 × 23 × 1 in, 1965. © Richard Tuttle, courtesy Pace Gallery.
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Jaime Gaiti reviews the exhibition Drawing Redefined, which reveals ongoing, intimate drawing processes that have been developed alongside more sculptural bodies of work.

Jaime Gaiti April 1, 2016 Reviews, Vol. 1, No. 7: April/May 2016
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