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David Driskell

“These Works Will Haunt You”: a conversation on the 2018 Portland Museum of Art Biennial

Angela Dufresne (United States, born 1969), Dean Moss, 2017, oil on canvas, 59 1/2 x 78 inches. Courtesy of the artist. © Angela Dufresne. Photo by Luc Demers.
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Mimicking the collaborative nature of the Biennial’s curation, five cultural producers in Maine gather in conversation to model the critical potential in slow looking, multiple reads, and shared dialogue.

Myron Beasley, Meghan Brady, Edwige Charlot, Justin Levesque, Veronica A. Perez May 14, 2018 Interviews, Reviews, Vol. 3, No. 2: Spring 2018

Tender, Stoic, & Funny: Men’s Work at the CMCA

David Driskell, from left to right: The Cook I, AP 17/21, linocut/serigraph, 7.25 x 6”, 2016. The Cook II, AP 1/1, woodcut/serigraph, 7.25 x 6”, 2016. The Cook III, AP 24/33, woodcut/serigraph, 7.25 x 6”, 2016. Photos courtesy of CMCA.
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Chris Stiegler explores process, objecthood, and relationships in three exhibitions at the Center for Maine Contemporary Art.

Christopher Stiegler March 29, 2017 Reviews, Vol. 2, No. 3: Spring 2017

Opening Up at the Center for Maine Contemporary Art

The Center for Maine Contemporary Art, designed by Toshiko Mori. Photo: Jim Dugan Photography.
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Center for Maine Contemporary Art’s Executive Director and Chief Curator Suzette McAvoy reflects on CMCA’s new presence in Rockland, opening the space to new and wider audiences, and how she envisions CMCA’s role in defining the contexts of Maine art.

Jenna Crowder October 27, 2016 Interviews, Vol. 2, No. 1: Fall 2016
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