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Andy Warhol

Art, Performativity, & Gender as a Tool of Capitalism in Emily Mae Smith’s “The Studio”

Emily Mae Smith, The Mirror, oil on linen, 46 x 54 inches, 2015. Image © Emily Mae Smith
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Emily Mae Smith’s art historical and illustrative paintings summon Marxist interpretations of the performativity of gender. by Frances Barker

Frances Barker July 6, 2017 Theory, Vol. 2, No. 4: Summer 2017

The ABCs of Consumer Culture: American Optimism at Able Baker Contemporary

Installation view of American Optimism at Able Baker Contemporary.
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Meg Hahn talks with Able Baker Contemporary’s co-owners Stephen Benenson and Hilary Irons about the space and its current exhibition, American Optimism.

Meg Hahn July 20, 2016 Interviews, Vol. 1, No. 8: June/July 2016
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