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Category Archive: Vol. 5, No. 1: Winter 2019/2020

Daniela Rivera’s Labored Landscapes

In the large gallery of Daniela Rivera's exhibition "Labored Landscapes (where hand meets ground)" we see three dark walls and a wood floor. Each wall has a single painting of a giant pair of hands; each pair of hands is gesticulating as in mid-conversation. The body to which the hand belong fades into the black canvas and the dark wall color.
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Julie Poitras Santos reflects on monument, labor, and silence in Daniela Rivera’s recent exhibition at the Fitchburg Art Museum.

Julie Poitras Santos February 25, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

The Affidamento of Bianca Beck and Sascha Braunig

Installation shot of Extra Spectral, with a collaborative sculpture in the foreground: Bianca Beck & Sascha Braunig, Untitled, 58 x 54 x 29 in wood, wire, papier-mâché, acrylic, oil, and epoxy, 2019
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Bianca Beck and Sascha Braunig’s two-person show at SPACE explores the political and feminist power of difference.

Jenna Crowder January 7, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

Attending to Attention: Michael Figueroa’s “This is why we can’t have nice things” at SPACE

The five commissioned dancers for This is why we can't have nice things are young white women who are bathed in red light. Two are in all black street clothing, kneeling, and three are standing behind them, two in all-black clothing, and one, on the right, in all white gym clothes.
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Grant Wahlquist reflects on Michael Figueroa’s commissioned dance work for SPACE and Portland Dance Month and asks, when is too much too much?

Grant Wahlquist December 21, 2019 Reviews, Vol. 5, No. 1: Winter 2019/2020
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