Mimicking the collaborative nature of the Biennial’s curation, five cultural producers in Maine gather in conversation to model the critical potential in slow looking, multiple reads, and shared dialogue.
Category Archive: Vol. 3, No. 2: Spring 2018
Vivian Ewing reviews Second Sight: The Paradox of Vision in Contemporary Art, an exhibition that addresses what it’s like to possess qualities that so much of the world is not built to serve: blindness and blackness.
Yoshua Okón’s multi-channel video blurs the lines between documentary, reality, and fiction, asking participants and viewers to engage in sociological experiments that reveal discomforting questions.
Before Projection: Video Sculpture 1974–1995 at MIT’s List Center defines video sculpture, asking viewers to grapple with the spatial and social realities of video.
Imani Roach, a Philadelphia-based scholar, visual artist and musician, will be visiting in July as the inaugual Visiting Critic for The Chart.