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Category Archive: Vol. 1, No. 2: October 2015

LINES of FLIGHT: Jimmy Riordan’s translations

"In 2014, in the sorting and melting of lead type, each ingot became the physical representative, in scale and in weight, of the number of times a letter was used in the text; another form of translation, this one conveying a sort of inverse Oulippan challenge to the 'reader' of this new variant." — Julie Poitras Santos on Jimmy Riordan's work
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Julie Poitras Santos’ essay takes the act/ion of translation as its territory and looks at Jimmy Riordan’s translation of Francis Jammes “Le Roman de Lièvre” into English, as well as into various representations and reflections of the work in visual form.

Julie Poitras Santos September 29, 2015 Essays, Vol. 1, No. 2: October 2015

Studio Visit: Timothy Wilson’s Pentimento

Timothy Wilson in his studio. Portrait by Mette Lützhøft.
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Jenn Corey visits Timothy Wilson in his studio, discussing life and work between Maine and New York, pay-to-play gallery models, and painting the overwhelming beauty of weather and nature.

Jenn Corey September 29, 2015 Studio Visits, Vol. 1, No. 2: October 2015

Meta-Review: Kenny Cole at BUOY

Installation view of Kenny Cole's Flood: From Noah to Babel and Beyond at BUOY in Kittery, ME.
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A found review by Narciso Philostratus looks at Kenny Cole’s show at BUOY, outlining a history of mimetic complexity in works we often don’t (or can’t) read in their totalities. by Jeffrey Ackerman

Jeffrey Ackerman September 29, 2015 Reviews, Vol. 1, No. 2: October 2015

IN CONVERSATION with Richard & Alexis Iammarino

Left: Richard Iammarino, Big Yellow, 50" x 50", 2015. Photo by Scott Sell. Right: Iammarino, Unterhalter, and Truhn, Oak Street Mural (detail).
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Rockland artists Richard Iammarino (painter & sculptor) and Alexis Iammarino (painter & dancer) discuss their father-daughter influences, spontaneity, mastery, and compulsion. by Douglas W. Milliken

Douglas Milliken September 29, 2015 Interviews, Vol. 1, No. 2: October 2015

All Art is Outsider Art, Part 2: a quick guide to the making of an art epicenter

A step-by-step guide to constructing the new art epicenter. Above, a model of the Guggenheim New York by Little Building Co.
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Mariah Bergeron continues her serial on the New York art epicenter with a guide to using political, economic — and yes — artistic tools for taking over the (art) world.

Mariah Bergeron September 29, 2015 Essays, Theory, Vol. 1, No. 2: October 2015

Art as Index: Lina Viste Grønli at MIT

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“List Projects: Lina Viste Grønli” at the MIT List Visual Arts Center moves through philosophy, art, linguistics, and poetry, connecting us to the 20th century’s greatest thinkers. by Skye Priestley

Skye Priestley September 29, 2015 Issues, Reviews, Vol. 1, No. 2: October 2015

What is our Common Field? notes from Hand in Glove 2015

Lunch on Day 2 of Hand in Glove: an artist meal introduced by Mona Smith, of Healing Place Collaborative, and artist Seitu Jones. Photo by the author.
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One attendee’s perspective from the Hand in Glove 2015 conference in Minneapolis: what is our common field and how do we define our practices inclusively? by Jenna Crowder

Jenna Crowder September 29, 2015 Essays, Reviews, Vol. 1, No. 2: October 2015

Kevin Clancy’s Portable Utopias

Kevin Clancy, WE ARE RESPONSIBLE FOR OUR DREAMS, nomadic platform, 21' x 21'. Photo by Carson Davis Brown.
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Kevin Clancy sat down for a meandering conversation on a sunny day in Maine before heading back to his home in Pittsburgh, Pennsylvania, to discuss his nomadic art practice, portable utopias, dreaming spaces and his recent residency on the Deer Isle Archipelago with Cabin Time. by Irina Skornyakova

Irina Skornyakova September 28, 2015 Interviews, Vol. 1, No. 2: October 2015
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