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Category Archive: Vol. 1, No. 3: November 2015

Craft Fair, Flea Market, Biennial: What the 2015 PMA Biennial gets right (and wrong)

Stacy Howe, Profane Maine, ink, charcoal, acrylic, and graphite on paper, 48" x 60", 2015. Image courtesy of the artist and the Portland Museum of Art.
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The 2015 Portland Museum of Art Biennial proves to be a tangle of work from talented artists. Helen Greenbriar examines Alison Ferris’ curatorial choices in this already-controversial show.

Helen Greenbriar November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

BETTER LUCK NEXT TIME: Julie K. Gray’s supernatural failures

Still from Levitation, photo courtesy of Julie K. Gray
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In her solo show BETTER LUCK NEXT TIME, Julie K. Gray maps her failures in attempting to “to explore the unknown through paranormal and spiritual means.” by Benjamin Spalding

Benjamin Spalding November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

The dream-like spirituality of Elizabeth Fox’s paintings

Elizabeth Fox, "Out the Woods", oil on panel, 11-1/2” x 24-1/8”. Image courtesy of Dowling Walsh.
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Narciso Philostratus’ review of Elizabeth Fox’s latest paintings reveals unabashed religiosity, technical sophistication, and a fresh sense of humor. by Jeffrey Ackerman

Jeffrey Ackerman November 5, 2015 Essays, Reviews, Vol. 1, No. 3: November 2015

Maine’s Plain Jane Problem: Critiquing the Portland Museum of Art 2015 Biennial

Sarah Sockbeson, Basket, brown ash, sweetgrass, and antler, 4" x 3.5", 2011. Hudson Museum, University of Maine, HM8622. © Sarah Sockbeson
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Ashleigh Burskey and Catnip James examine the state of Maine’s art through the lens of the Portland Museum of Art’s 2015 Biennial.

Ashleigh Burskey November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

Deciphering Erratic Murmurs: Freddy LaFage at Perimeter Gallery

Freddy LaFage, Murmur.
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Freddy LaFage’s new body of work at Perimeter Gallery in Belfast, Maine, explores the struggle of time and the process of letting ideas emerge. by Kathy Weinberg

Kathy Weinberg November 5, 2015 Reviews, Vol. 1, No. 3: November 2015

“Maine” Artists? Beginning to unpack regionalism

A survey of curators, critics, and artists reveals what we think of as “Maine” art. Jacob Fall investigates in this introduction to a series.

Jacob Fall November 5, 2015 Theory, Vol. 1, No. 3: November 2015
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