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Category Archive: Vol. 1, No. 8: June/July 2016

A Long Wait for Justice: dance at the end of the world

Performance still from S P E C T A C U L A R B L A C K D E A T H, 2016. Photo by Erin Colleen Johnson.
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Lia Wilson reviews the site-specificity and flattening of time of S P E C T A C U L A R B L A C K D E A T H as part of the series A Long Wait.

Lia Wilson July 28, 2016 Initiatives, Reviews, Vol. 1, No. 8: June/July 2016

Rewriting An Unrealized History of War: Fortress Brass on Fort Gorges

Photo courtesy Ken Ueno.
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Ken Ueno’s Fortress Brass employs the musical and architectural languages of wartime to imagine a friendlier, more beautiful alternative.

Jenna Crowder July 21, 2016 Initiatives, Vol. 1, No. 8: June/July 2016

The ABCs of Consumer Culture: American Optimism at Able Baker Contemporary

Installation view of American Optimism at Able Baker Contemporary.
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Meg Hahn talks with Able Baker Contemporary’s co-owners Stephen Benenson and Hilary Irons about the space and its current exhibition, American Optimism.

Meg Hahn July 20, 2016 Interviews, Vol. 1, No. 8: June/July 2016

How Are Artists Supporting Black Lives Matter? a brief reading + resource list

Installation view of Respond at Smack Mellon, 2015. Photo by Etienne Frossard.
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How are artists responding to police brutality, system injustice, and the Black Lives Matter movement?

The Chart July 12, 2016 Art Guides, Vol. 1, No. 8: June/July 2016

Predicting Future Weather: an interview with Anna Wolfe-Pauly & Erin Colleen Johnson

Anna Wolfe-Pauly, Future Weather, 2016.
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“You can’t push it away. You can’t go under. You have to be in it.” Anna Wolfe-Pauly and Erin Colleen Johnson talk about Wolfe-Pauly’s project for the series A Long Wait happening on Fort Gorges this summer.

Jenna Crowder July 8, 2016 Initiatives, Interviews, Vol. 1, No. 8: June/July 2016

Nicole Eisenman: Intimacy With An Audience

Nicole Eisenman, It Is So, oil on canvas, 65 × 82 in, 2014. Courtesy of the artist, Anton Kern Gallery, New York; Galerie Barbara Weiss, Berlin; and Susanne Vielmetter, Los Angeles. Photo by John Berens.
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The variances in Nicole Eisenman’s techniques, both nuanced and bold, portray her strong ability, knowledge, and integrity to the discipline of painting. Meg Hahn explains the intimacy between the viewer’s interaction with the work, and Eisenman’s authorship in what she divulges.

Meg Hahn June 28, 2016 Reviews, Vol. 1, No. 8: June/July 2016
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