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Category Archive: Vol. 5, No. 4: Fall 2020

A Detective in the Anthropocene: in the studio with Asata Radcliffe

At night, we see the blue glow of a house-shaped sculpture, illuminated from within. The sculpture sits on a pedestal in front of a wooden fence, with small blue glowing orbs scattered on the ground around it.
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Interdisciplinary artist Asata Radcliffe looks to futurisms, science fiction, land ethics, and dharma in her work and writing. Hilary Irons visits Asata in her studio to delve into her detective-like approach.

Hilary Irons December 11, 2020 Studio Visits, Vol. 5, No. 4: Fall 2020

Walking Portland: A Reflection on “ecologies of the local”

A view of a bend in the Presumpscot River just after dawn. Sunlight is just beginning to light up the trees that frame the rocky riverbanks, and there is a layer of white mist that sits on top of the dark water, which reflects the stones along the bank, the trees, and some sky above.
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Julie Poitras Santos’ PLATFORM PROJECTS/WALKS: ecologies of the local offered artist-led walks for the public to get closer to the ecologies of which they are a part. Elyse Grams reflects on six of the walks she attended and what she learned about the land, its history, and herself.

Elyse Grams November 20, 2020 Essays, Vol. 5, No. 4: Fall 2020

Presence, Performance, and Pregnancy

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Jacquelyn Gleisner, The Chart’s 2019 Critic in Residence, considers a history of performance art and its request for “noble attention” throughout her pregnancy.

Jacquelyn Gleisner October 21, 2020 Essays, Vol. 5, No. 4: Fall 2020
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