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Category Archive: Vol. 3, No. 1: Fall 2017/Winter 2018

Unearthing Optimism: the visual and sociopolitical weight of Dave Eassa’s Roses

installation view of Dave Eassa's Stop and Smell the Roses Sometimes, 2018. Photo by Joel Tsui.
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A rose is a rose is a precious symbol of optimism in these often dark times. by Julien Langevin.

Julien Langevin March 1, 2018 Reviews, Vol. 3, No. 1: Fall 2017/Winter 2018

FutureSex/LoveSounds: an analysis of gender and artificial intelligence in film (ft. Justin Timberlake)

Justin Timberlake in "Filthy"
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Justin Timberlake’s new music video signals a kind of gender emergency: what have we learned in 90 years of science fiction?

Nyanen Deng February 13, 2018 Essays, Vol. 3, No. 1: Fall 2017/Winter 2018

In Conversation: Jenna Crowder & Julien Langevin on Nan Goldin at the PMA

Nan Goldin, Suzanne and Mark dancing, Lexington, MA, 1979, Silver-dye bleach print, 21 x 25 inches. Private collection, Houston, TX.
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Graeme Kennedy, in a series of community discussions, speaks with The Chart Editor Jenna Crowder and Julien Langevin about the complexities of Nan Goldin at the Portland Museum of Art.

Graeme Kennedy December 21, 2017 Interviews, Vol. 3, No. 1: Fall 2017/Winter 2018

Airing Out Ambivalence: on cultural care and the allure of judgment

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Ellen Tani reminds us that one’s intellectual world participates in hegemonic systems, even as we forge the tools to reckon with its entanglement.

Ellen Tani October 12, 2017 Essays, Vol. 3, No. 1: Fall 2017/Winter 2018
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