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Category Archive: Vol. 1, No. 4: December 2015/January 2016

Interview: Robin Peckham on the contemporary Chinese art scene

“Art Post-Internet” at the Ullens Center for Contemporary Art (UCCA), Beijing. Image courtesy of UCCA.
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Beijing-based Robin Peckham discusses his Maine roots, his journey to Beijing’s 798 arts district as a student, and his reflections on Chinese art now. by Clare Tyrrell-Morin

Clare Tyrrell-Morin December 4, 2015 Interviews, Vol. 1, No. 4: December 2015/January 2016

LEAP BEFORE YOU LOOK: Black Mountain College 1933–1957 at the ICA/Boston

Photography class in a cabbage class, n.d. photo by Barbara Morgan
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Julie Poitras Santos on a “multi-faceted, interdisciplinary, many-years-in-the-making, pedagogical exhibition about a radical pedagogical endeavor” — the legendary and massively influential Black Mountain College at the ICA/Boston.

Julie Poitras Santos December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

On Ecstatic Milk Enjoyment, Discomfort, and Not Pumping Gas in the Presence of Douglas W. Milliken’s Corpse.

The cover to Cream River, by Douglas W. Milliken. Designed and published by Publication Studio/Downeaster Editions.
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Emily Jane Young discusses discomfort, feminism, and masculinity at Douglas W. Milliken’s multi-disciplinary launch event of Cream River, a book of short stories, and its musical twin, the record Whiskey Dick, by Blind Pelican.

Emily Young December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

Cheshire Girls: Veronica Cross’ Complicated Feminism

Veronica Cross, Headbangers, scraped oil on wood, 30 x 40 in, 2015.
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Kathy Weinberg navigates Veronica Cross’ exploration of the female figure in the complex contexts of punk aesthetics, pop culture, and the baggage of hijacking the vintage.

Kathy Weinberg December 4, 2015 Reviews, Vol. 1, No. 4: December 2015/January 2016

The New Intellectual Zeitgeist: Speculative Realism & Maine

Image courtesy of the author.
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The philosophical movement that has garnered the greatest attention and engaged most thoroughly with the present culture is speculative realism. Skye Priestley explores the components of speculative realist thought and ties them to the logos of current cultural production in Maine.

Skye Priestley December 4, 2015 Essays, Theory, Vol. 1, No. 4: December 2015/January 2016

Contextualizing “Maine” Artists: the regional identity double standard

Anna Hepler, Double Hung (2013-2015), steel wire and rope, dimensions variable, as installed at University of Maine Museum of Art. Photo by the author.
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Jacob Fall questions how and why the term “Maine artist” is applied — and what that means for an artist’s identity and career.

Jacob Fall December 4, 2015 Theory, Vol. 1, No. 4: December 2015/January 2016

Colophon: Mark Jamra’s Phoreus Cherokee

Mark Jamra’s Phoreus Cherokee — used throughout The Chart — updates and modernizes the Cherokee language in an effort to preserve it in the digital age.

The Chart December 4, 2015 About The Chart, Vol. 1, No. 4: December 2015/January 2016
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