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Author: Skye Priestley

Rejecting the Classical: Duncan Hewitt at the Portland Museum of Art

Duncan Hewitt, Tacks, carved and painted wood in five parts, approximately 14 x 60 x 48 in, 2008–09
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Skye Priestley investigates ambiguity in form and process throughout Duncan Hewitt’s retrospective at the Portland Museum of Art.

Skye Priestley January 28, 2016 Reviews, Vol. 1, No. 5: February 2016

The New Intellectual Zeitgeist: Speculative Realism & Maine

Image courtesy of the author.
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The philosophical movement that has garnered the greatest attention and engaged most thoroughly with the present culture is speculative realism. Skye Priestley explores the components of speculative realist thought and ties them to the logos of current cultural production in Maine.

Skye Priestley December 4, 2015 Essays, Theory, Vol. 1, No. 4: December 2015/January 2016

Art as Index: Lina Viste Grønli at MIT

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“List Projects: Lina Viste Grønli” at the MIT List Visual Arts Center moves through philosophy, art, linguistics, and poetry, connecting us to the 20th century’s greatest thinkers. by Skye Priestley

Skye Priestley September 29, 2015 Issues, Reviews, Vol. 1, No. 2: October 2015

Shedding Light on Darkness

Michel Auder, still from "Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)", (2014), three-channel video installation. Image courtesy Bowdoin College Museum of Art.
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A pair of shows at the Bowdoin College Museum of Art trace our understanding of night from the mid-19th century to the present day. by Skye Priestley

Skye Priestley August 20, 2015 Reviews, Vol. 1, No. 1: September 2015
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