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Author: Julien Langevin

Unearthing Optimism: the visual and sociopolitical weight of Dave Eassa’s Roses

installation view of Dave Eassa's Stop and Smell the Roses Sometimes, 2018. Photo by Joel Tsui.
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A rose is a rose is a precious symbol of optimism in these often dark times. by Julien Langevin.

Julien Langevin March 1, 2018 Reviews, Vol. 3, No. 1: Fall 2017/Winter 2018

Emilie Stark-Menneg & the Sweet Cool of Material Nostalgia

Emilie Stark-Menneg, Summer in Maine, 2016, 70” x 70”, acrylic, oil and spray paint on canvas. Image courtesy Elizabeth Moss Galleries.
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In American Popsicle, Emilie Stark-Menneg evinces a tenderness for the digital: its connection to both the physicality of paint and illusory intangibility. by Julien Langevin

Julien Langevin August 11, 2017 Reviews, Vol. 2, No. 4: Summer 2017

Keijaun Thomas: a Black Femme Goddess Punk, Nude and In Charge

The Poetics of Trespassing: Part 1. Absent Whiteness, Part 2. Looking While Seeing Through,Part 3. Sweet like Honey, Black like Syrup, Spill Festival of Performance , Photo by Guido Mencari, 2014
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Performance artist Keijaun Thomas discusses notions of blackness, femininity, and materiality in her in-progress piece My Last American Dollar. by Julien Langevin

Julien Langevin August 2, 2017 Reviews, Vol. 2, No. 4: Summer 2017

Where Critical Tides Meet: The Inaugural Show at Grant Wahlquist Gallery

Tad Beck. Blind Spot 37, 2016. Framed archival pigment print. 34.75 x 31.85 inches. Edition 1/1. Courtesy of the artist and Grant Wahlquist Gallery.
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Nothing is left to the imagination until everything is: when information is obsolete, or when there is strategic overflow. by Julien Langevin

Julien Langevin June 20, 2017 Reviews, Vol. 2, No. 3: Spring 2017

Greetings from the Jungle: Elizabeth Kleene invites you to Tadow Island

Elizabeth Kleene, “LAYER BOSS”, acrylic, oil, and duralar on aluminum mounted on panel, 13" x 12", 2013. Image courtesy of Gallery 49.
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Lustfully saturated with lucid color and lively tricks of the eye, Elizabeth Kleene’s Tadow Island at Gallery 49 allows viewers to experience an external oasis. by Julien Langevin

Julien Langevin June 2, 2017 Reviews, Vol. 2, No. 3: Spring 2017
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