Julie Poitras Santos reflects on monument, labor, and silence in Daniela Rivera’s recent exhibition at the Fitchburg Art Museum.
Author: Julie Poitras Santos
Yoshua Okón’s multi-channel video blurs the lines between documentary, reality, and fiction, asking participants and viewers to engage in sociological experiments that reveal discomforting questions.
Donna Haraway shows us we need new ideas and new ways of thinking, new kinds of stories to think with, because the old ones are failing us. by Julie Poitras Santos
Julie Poitras Santos visits Katarina Weslien’s studio to discover new ways of seeing — if you can look below, and through, the water’s surface.
Julie Poitras Santos on a “multi-faceted, interdisciplinary, many-years-in-the-making, pedagogical exhibition about a radical pedagogical endeavor” — the legendary and massively influential Black Mountain College at the ICA/Boston.
Julie Poitras Santos’ essay takes the act/ion of translation as its territory and looks at Jimmy Riordan’s translation of Francis Jammes “Le Roman de Lièvre” into English, as well as into various representations and reflections of the work in visual form.