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Author: Jenna Crowder

Critical Communion: an introduction & call for submissions

The following text appears in white letters on a pink background: Introduction, Critical Communion
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Critical Communion gathers critical responses toward ideating the future based upon mutual participation, sharing, and intimacy.

Jenna Crowder July 3, 2020 Critical Communion, Vol. 5, No. 3: Summer 2020

The Affidamento of Bianca Beck and Sascha Braunig

Installation shot of Extra Spectral, with a collaborative sculpture in the foreground: Bianca Beck & Sascha Braunig, Untitled, 58 x 54 x 29 in wood, wire, papier-mâché, acrylic, oil, and epoxy, 2019
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Bianca Beck and Sascha Braunig’s two-person show at SPACE explores the political and feminist power of difference.

Jenna Crowder January 7, 2020 Reviews, Vol. 5, No. 1: Winter 2019/2020

Scholarship, Power, & the Agency of Place: Beth Finch on Marsden Hartley’s Maine

Hall of the Mountain King, ca. 1908-9, Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm). Crystal Bridges Museum of American Art, Bentonville, Arkansas 2010.94
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Beth Finch, Lunder Curator of American Art at the Colby College Museum of Art, speaks about what Marsden Hartley’s Maine can tell us about how we understand historical legacy and scholarship can shape the contemporary art world.

Jenna Crowder August 25, 2017 Interviews, Vol. 2, No. 4: Summer 2017

Temp to Perm proves a need for a shared language of public art

John Sundling, Ghost Fence, 2017. Installed in the median of Franklin Arterial in Portland, ME, as the first of three temporary art projects facilitated by TEMPOart this summer.
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Creating public art — and public art conferences — requires deep, internal work as much as it does communication, planning, passion, and dedication. by Jenna Crowder

Jenna Crowder June 15, 2017 Initiatives, Reviews, Vol. 2, No. 3: Spring 2017

The Arts Agency Report Card: RESULTS!

These are the logos for all fifty state arts commissions and the District of Columbia: what do you think?
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The results are in — here are 51 state arts agency logos as ranked by our readers.

Jenna Crowder January 9, 2017 Initiatives, Vol. 2, No. 2: Winter 2017

The Arts Agency Logo Report Card

These are the logos for all fifty state arts commissions and the District of Columbia: what do you think?
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We’re looking at 51 arts agency logos for design quality, sense of place, and je ne sais quoi. Take the survey and tell us what you think.

Jenna Crowder December 4, 2016 Initiatives, Vol. 2, No. 1: Fall 2016

Opening Up at the Center for Maine Contemporary Art

The Center for Maine Contemporary Art, designed by Toshiko Mori. Photo: Jim Dugan Photography.
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Center for Maine Contemporary Art’s Executive Director and Chief Curator Suzette McAvoy reflects on CMCA’s new presence in Rockland, opening the space to new and wider audiences, and how she envisions CMCA’s role in defining the contexts of Maine art.

Jenna Crowder October 27, 2016 Interviews, Vol. 2, No. 1: Fall 2016

Ann Hirsch, IRL

Still from Frank the Entertainer... in a Basement Affair on VH1.
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Ann Hirsch will probably defy most expectations of a feminist artist thinking about gender, social media, and the implications of shame and display.

Jenna Crowder August 11, 2016 Interviews, Vol. 1, No. 9: August 2016

The Ambling Aesthetics of PLATFORM PROJECTS/WALKS

Angela Ellsworth: Museum of Walking, Tempe, Arizona.
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PLATFORM PROJECTS/WALKS positions Julie Poitras Santos as artist-as-curator, who has included fifteen artists and practitioners who’ll be leading walks, giving lectures, discussing readings, and presenting video works through August 14.

Jenna Crowder August 4, 2016 Initiatives, Studio Visits, Vol. 1, No. 9: August 2016

Rewriting An Unrealized History of War: Fortress Brass on Fort Gorges

Photo courtesy Ken Ueno.
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Ken Ueno’s Fortress Brass employs the musical and architectural languages of wartime to imagine a friendlier, more beautiful alternative.

Jenna Crowder July 21, 2016 Initiatives, Vol. 1, No. 8: June/July 2016

Predicting Future Weather: an interview with Anna Wolfe-Pauly & Erin Colleen Johnson

Anna Wolfe-Pauly, Future Weather, 2016.
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“You can’t push it away. You can’t go under. You have to be in it.” Anna Wolfe-Pauly and Erin Colleen Johnson talk about Wolfe-Pauly’s project for the series A Long Wait happening on Fort Gorges this summer.

Jenna Crowder July 8, 2016 Initiatives, Interviews, Vol. 1, No. 8: June/July 2016

If You’re Reading This…

If You're Reading This, Check Out These Other Journals Also
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Jenna Crowder recaps some of her recent favorite pieces from other journals, including Pelican Bomb, BURNAWAY, Cairobserver, arts.black, and Temporary Art Review.

Jenna Crowder April 1, 2016 Art Guides, Vol. 1, No. 7: April/May 2016

What is our Common Field? notes from Hand in Glove 2015

Lunch on Day 2 of Hand in Glove: an artist meal introduced by Mona Smith, of Healing Place Collaborative, and artist Seitu Jones. Photo by the author.
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One attendee’s perspective from the Hand in Glove 2015 conference in Minneapolis: what is our common field and how do we define our practices inclusively? by Jenna Crowder

Jenna Crowder September 29, 2015 Essays, Reviews, Vol. 1, No. 2: October 2015

Drifting + sharing at The Royal Open

The Royal Open. All images by the author.
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Genevieve Johnson + Douglas W. Milliken’s The Royal Open. documented by Jenna Crowder

Jenna Crowder August 14, 2015 Initiatives, Vol. 1, No. 1: September 2015
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