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Author: Jacob Fall

Elise Ansel’s Painterly Revelations

Elise Ansel, Revelations IX, oil on linen, 16 x 12 in, 2015. Image courtesy Bowdoin College Museum of Art.
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Jacob Fall and Virginia Rose investigate revelations in Elise Ansel’s Distant Mirrors at Bowdoin College Museum of Art.

Jacob Fall March 3, 2016 Reviews, Vol. 1, No. 6: March 2016

Contextualizing “Maine” Artists: the regional identity double standard

Anna Hepler, Double Hung (2013-2015), steel wire and rope, dimensions variable, as installed at University of Maine Museum of Art. Photo by the author.
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Jacob Fall questions how and why the term “Maine artist” is applied — and what that means for an artist’s identity and career.

Jacob Fall December 4, 2015 Theory, Vol. 1, No. 4: December 2015/January 2016

“Maine” Artists? Beginning to unpack regionalism

A survey of curators, critics, and artists reveals what we think of as “Maine” art. Jacob Fall investigates in this introduction to a series.

Jacob Fall November 5, 2015 Theory, Vol. 1, No. 3: November 2015

The Interlopers: Toni Jo Coppa at the LC Bates Museum

Toni Jo Coppa, "The Monk" (left) and "Watching" (right), 2012, plastic doll eyes, sewing pins, cheesecloth and paint on altered taxidermy forms. Image courtesy L.C. Bates Museum.
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Toni Jo Coppa’s strange menagerie of unnatural history is at home in Hinckley’s LC Bates Museum. by Jacob Fall.

Jacob Fall August 15, 2015 Reviews, Vol. 1, No. 1: September 2015
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