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Author: Frances Barker

Art, Performativity, & Gender as a Tool of Capitalism in Emily Mae Smith’s “The Studio”

Emily Mae Smith, The Mirror, oil on linen, 46 x 54 inches, 2015. Image © Emily Mae Smith
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Emily Mae Smith’s art historical and illustrative paintings summon Marxist interpretations of the performativity of gender. by Frances Barker

Frances Barker July 6, 2017 Theory, Vol. 2, No. 4: Summer 2017
© The Chart 2015–2021
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