Clare Tyrell-Morin speaks with Sarah Baldwin about her work in ink in advance of her new collaborative installation, Influx, in Biddeford.
Beth Finch, Lunder Curator of American Art at the Colby College Museum of Art, speaks about what Marsden Hartley’s Maine can tell us about how we understand historical legacy and scholarship can shape the contemporary art world.
Eden Osucha speaks with filmmaker Natalie Bookchin about the phenomenon of video self-portraiture in the internet age, and what it means for resistance and identity.
Center for Maine Contemporary Art’s Executive Director and Chief Curator Suzette McAvoy reflects on CMCA’s new presence in Rockland, opening the space to new and wider audiences, and how she envisions CMCA’s role in defining the contexts of Maine art.
Tim Fite is a musician and printmaker in residence this summer at SPACE Studios and Pickwick Independent Press. Meg Hahn talks with him about the the idea of foundational printmaking as process, performative drawing, and his relationship to rap and visual art.
Ann Hirsch will probably defy most expectations of a feminist artist thinking about gender, social media, and the implications of shame and display.
Meg Hahn talks with Able Baker Contemporary’s co-owners Stephen Benenson and Hilary Irons about the space and its current exhibition, American Optimism.
“You can’t push it away. You can’t go under. You have to be in it.” Anna Wolfe-Pauly and Erin Colleen Johnson talk about Wolfe-Pauly’s project for the series A Long Wait happening on Fort Gorges this summer.
Jessica Hankey’s photographic and video work on non-profits, community centers, clubs, and museums, investigates institutions and the relationships that constitute them. Using documentary and narrative filmmaking strategies, she investigates the unstable relationship between location, image, and perception. by Erin Colleen Johnson
In this episode, npilar interview Ruski’s Tavern owner Monica about the art on the walls of our favorite neighborhood bar. They discuss holograms, autographs, a toe calendar, and Bob Saget.
Veronica A. Perez sits down with Kyle Patnaude to discuss his curation of “tinderbox” at the ICA at MECA and the role of the curator and artist in sparking tangible social change.
Benjamin Spalding talks with Justin Levesque about ICELANDx207, a project investigating economic, geographic, and cultural spaces between Maine and Iceland.
A look back at our first handful of issues with our top three posts of 2015.
Beijing-based Robin Peckham discusses his Maine roots, his journey to Beijing’s 798 arts district as a student, and his reflections on Chinese art now. by Clare Tyrrell-Morin
Rockland artists Richard Iammarino (painter & sculptor) and Alexis Iammarino (painter & dancer) discuss their father-daughter influences, spontaneity, mastery, and compulsion. by Douglas W. Milliken
Kevin Clancy sat down for a meandering conversation on a sunny day in Maine before heading back to his home in Pittsburgh, Pennsylvania, to discuss his nomadic art practice, portable utopias, dreaming spaces and his recent residency on the Deer Isle Archipelago with Cabin Time. by Irina Skornyakova
Annika Earley talks to MYFAWNWY’s Maisie Broome about camouflage, ritual, and creating a body of work completely off the grid.